Impression: I think I saw another Jodorowsky movie, possibly El Topo 7 or 8 years ago and all I can remember is that it was set in a desert and it was very strange. This one is also very strange. It’s a surrealist version of the director’s childhood told through a series of vignettes with a backdrop of politics of 1930s Chile and mixed with some commentary on religion. It’s impossible to extract what real event may have inspired each short story from the fanciful tale that he spins around it, but maybe that’s not the point. The point is maybe how our imagination influences memory and distorts reality. In the film, his mother sings all her lines opera style, and has magical powers. She is able to summon his father back from a quest where he has gotten stuck and lost his memory, by tying a rock to balloons which then track him down in a town far away, drop on his tin roof and return his memories. Unlike his mother with her magic, his father is a stoic atheist, who worships Stalin in an almost religious way. The young Alejandro faces a series of struggles to do things to win approval of his mother and father, but it’s a balance, and usually winning one, means losing another. A number of other visually stunning sequences stand out as well. As a boy. Alejandro likes to throw rocks into the sea. He is told this will kill all the fish, and soon after, a giant tsunami-like wave spits out all the fish onto the beach, the seagulls start eating them, and he is torn between feeling responsible for bringing a demise to all the fish and feeling good about feeding all the birds. What an awesome metaphor for how any action has ambiguous consequences?! People’s motivations are also laid bare. In my favorite sequence, a group of diseased people is quarantined on the beach and given no food or water, and his father wants to use the situation to be a hero. He breaks through the quarantine with his donkey cart full of water, which he passes out. Once they’ve had enough water they turn on his donkeys and kill them for meat. He is flabbergasted and yells out “But how will I bring you more water tomorrow if you kill the donkeys?” to which they reply “But we are hungry today!” It’s one of those movies whose visuals and stories stay with you for days.
Facts: The director recalls through a surrealist lense what it was like growing up in a small town in Chile in the 1930s.