Five Fingers for Marseilles (2017)

Impression: This film felt like a South African mixture of old school Mad Max, a western and a kung fu flick. Not that there is any actual kung fu, but it just felt like a lot of plot lines were left not completely explained, which is how I always feel with kung fu movies. In a dusty small town a bunch of kids play war games amongst each other. When the white police shows up and uses unnecessary force, confrontation ensues, and one of the cops is killed. The kid who was the leader of the group, Tau,  is responsible and runs off, never to be seen in town again.  We next see him years later, buff, and a hardened criminal with a posse. He decides to return to his home town, a loner, where there are different political forces at play fighting for control, and the population is mostly scared. No one recognizes him and his childhood friends have all grown up to have prominent roles in the life of the town.  I feel like there must be a lot of political commentary, and the whole film is some kind of allegory for something going on in South Africa, but I just don’t know enough about it to quite figure out what it’s trying to say.  The friend’s roles all seem like caricatures: the fat kid becomes the Mayor, the girl runs the only bar in town, one  is in cahoots with the military, and one is dead, but his son is trying to avenge him. The dark force in all this is a hired band of thugs headed by a very creepy one-eyed Sepoko (ghost) who comes with his very own creepy theme music.  His role is overplayed in dramatic style. As is to be expected from the set up, it all ends in a very bloody and very long shoot out. The pacing sometimes felt like it dragged, the acting sometimes felt over the top, but one thing this film had going for it is unbelievably beautiful cinematography. And how often do you get to see an African western?
Facts: A South African winter western, centers on a guy who runs away as a kid and comes back to his dusty hometown years later, to find it run by bad guys.
Extra: I saw this film at the 2017 Toronto International Film Festival.
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