Suleiman Mountain (2017)

Impression:  How many movies from Kyrgyzstan do you get to see in your lifetime? Not many, I decided. So I made it to the only film in Toronto I didn’t have to wait in a rush line for. It’s a road trip comedy with some interesting characters. Zhipara is a middle age shamanistic healer/swindler (up to you to decide!) who is on a mission to win back her estranged husband, Karabas – a long distance truck driver. She picks up a boy from an orphanage (who may or may not be her son, but has the same name) Uluk, and gets Karabas to half-way buy into her plans and take her and the boy aboard his truck. Since they’ve split up, he has taken on a young wife who travels with him, and she is not too keen on having the two new passengers along for a ride. Many adventures await them on the road, mostly in the form of clever ways of separating unsuspecting people they encounter from some cash. The film moves slowly, but I found it entertaining and an interesting look into a culture not often seen on film. There are some references to actual organized shamanistic rituals on Suleiman Mountain and Ziphara seems to actually believe in the power of its magic, even if she mostly seems to be faking it to make a quick buck.  But money comes and goes fairly easily for the travellers in the film, and they lose it as easily as they earn it.  One of the themes is the importance of things going well, regardless of the reasons. Ultimately, does it really matter if Uluk is really their son if they are happy and they all get along? Some strain between Karabas’ itinerant carefree lifestyle and his parents and extended family is hinted at, and during the Q&A, the director explained that there has been some political issues in real life Kyrgyzstan with the people adhering to traditional beliefs and living outside the mainstream on the mountain and the government. If the movie touched on this in any more depth, it surely went over my head. Scenes of nature are beautifully filmed, while the life in the truck and truck stop is portrayed as fairly grimey. All in all, glad I saw this one.
Facts: A road trip through Kyrgyzstan with a motley crew of swindlers.
Extra: I saw this film at the 2017 Toronto International Film Festival.
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