Killing of a Sacred Deer (2017)

Impression: In the new movie by Yorgos Lanthimos, Collin Farrel’s character (Steven) seems like a continuation of the part he played in the The Lobster. The acting is the exact same deadpan, no emotion with rapidly fired words said in monotone.  But it is more than that, the type of things he says are things that are just not said in society: people might think them, but they don’t say them.  Because they are uncomfortable and go against conventions about what is appropriate and what is not. Things like “Our daughter started menstruating last week,” are not normally said in small talk at a work function. Basically, his character is what would normally be seen as socially awkward. Except that the society which Lanthimos constructs has different rules than ours and there is no reaction to what he says,  just the audience’s laughter at the inappropriateness of the situation. In our world.
In the worlds Lanthimos constructs inside his films, there is actually no concept of inappropriateness. And this is the basis upon which he then builds situations which would otherwise be absurd, like the world in which you have to be coupled up or turned into an animal in the Lobster, or lack of knowledge of the outside world beyond what their parents make up for the kids in Dogtooth, or a teenage boy (Martin) constantly invading Steven’s family life in this film.  The smaller inappropriate behaviors are never questioned, and so the characters keep pushing against each other. But eventually, even in Lanthimos’ world, it does get to the point where it makes his characters uncomfortable. Because even without societal norms, on an individual level, there are lines that can be crossed.
In this movie, Steven is a surgeon with a seemingly perfect family.  He spends a lot of time interacting with Martin, who he introduces to his family. Eventually, the boy demands more and more of his time and attention.  When Farrell awkwardly starts avoiding him, things beyond his control start happening to his family, and the boy’s revenge plot is foisted on him.  Lanthimos’ previous films, just like this one, dealt with rules, and arbitrariness of rules. In Dogtooth, it was the parents who made the rules for the world in which they kept their children, in Lobster, the rebels made rules to rebel against the rules of the mainstream world. Here, Martin makes up his own rules about what is right and what is wrong and has the power to make others conform to his rules. Lanthimos’ films leave me with a sense of unease. Where do rules come from? Are all rules basically arbitrary? Must all human interactions be governed by rules? Even if we acknowledge them as arbitrary?
Facts:  Supernatural events start transpiring to Steven’s family once he refuses to have contact with a teenager who seemingly started out as a friend.
Extra: I saw this film at the 2017 Toronto International Film Festival. It was my favorite film I saw at TIFF this year.
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